to scan at the best possible resolution. I checked to make sure the scan went okay, then coded in the parameters and set JAPES going, then went back to Phantoms. Great yarn. After the automatic functions were done, I started in on what I really get paid for here at Wood's Information Service ("Need info? Knock on Wood!"): the ability to find the best "finishing touches" that make enhancement still an art rather than a science.
A faint scraping sound came from the back door, and then a faint clank. I checked the time again; nine-twenty-five, still too early; Sylvie's occult shop, the Silver Stake, always closed at precisely nine-thirty. "Lewis?" I called out.
Lewis was what social workers might call a displaced person, others called a bum, and I called a contact. Lewis sometimes did scutwork for me—as long as he was sober he was a good worker. Unfortunately when he was drunk he was a belligerent nuisance, and at six foot seven a belligerent Lewis was an ugly sight. Since it was the first Friday of the month, he was probably drunk.
But I didn't hear an answer, neither voice nor the funny ringing knock that the chains on his jacket cuffs made. Instead I heard another clank and then a muffled thud. At that point the computer pinged again, having just finished my last instructions. I checked the final version—it looked pretty good, another pose of the Assemblyman alone with his hand partly extended—then downloaded all the data onto two disks for the Lieutenant. I sealed them in an envelope with the original negatives, dropped the envelope into the safe, swung it shut, pulled the wall panel down and locked it. Then I stepped out and turned towards the backdoor, grabbing my book as I left. Just then the front doorbell rang.
It was Sylvie, of course. "Hi, Jason!" she said, bouncing through the door. "Look at these, we just got the shipment in today! Aren't they great?" She dangled some crystal and silver earrings in front of me, continuing, "They're genuine Brazil crystal and